Female-powered ‘Wonder Woman’ opens to record $100m weekend
US haul for superhero film starring Israeli Gal Gadot largest-ever for a female-directed movie, with another $122.5m. in international sales
NEW YORK — “Wonder Woman” conquered milestones and movie myths at North American theaters, where the Gal Gadot superhero film powered its way to a $100.5 million debut this weekend and became the biggest blockbuster ever directed by a woman.
The well-reviewed movie, directed by Patty Jenkins, easily surpassed industry expectations with one of the summer’s biggest debuts, according to studio estimates Sunday, pulling in $100.5 in the US. Starring Israeli Gadot as the Amazonian warrior princess, “Wonder Woman” is the rare — and most successful — female-led film in an overwhelmingly male superhero landscape.
It proved a hit with moviegoers, earning a CinemaScore of A. While skewing somewhat female, it drew a fairly evenly split audience. Warner Bros. said 52 percent of the audience was female and 48 percent male. “Wonder Woman” added $122.5 million internationally, including $38 million in China.
“It shows that superhero movies aren’t just about men. They’re about women as well,” said Jeff Goldstein, distribution chief for Warner Bros. “All the noise about Patty Jenkins breaking the glass ceiling for directors, I think that added to it as well.”
Reviewers were overwhelmingly positive about the film, with many gushing over Gadot as “electric” and an “inspired choice” for the role.
Gadot, 32, a former Miss Israel, was born in Rosh Ha’ayin, the daughter of a teacher and an engineer; her mother’s parents were Holocaust survivors. A former model, she is married with two daughters.
The film centers on the backstory of Amazon warrior Diana Prince, born on the all-female island of Themyscira, and her mission to help save the world during World War I, during which she becomes known as Wonder Woman.
The film has been banned in Lebanon, because of its Israeli star.
Times of Israel Film Review: ‘Wonder Woman’ showcases Israel’s best export since Waze.
Jenkins, who previously directed 2003’s “Monster” starring Charlize Theron, now holds the record for biggest domestic opening for a female director. The previous mark was Sam Taylor-Johnson’s “Fifty Shades of Grey,” with $85.1 million in 2015.
Women have long struggled to get behind the camera of Hollywood’s biggest productions. Female directors accounted for just 9 percent of the 250 top-grossing movies in North America in 2015 and only 7 percent in 2016.
Some still had issues with “Wonder Woman.” Online critics complained of gender inequality after the Alamo Drafthouse scheduled a handful of female-only screenings across the country.
Nevertheless, “Wonder Woman” represents a turning point for Warner Bros. and DC Comics, which have together struggled in recent years to match the Marvel-Disney juggernaut. While “Wonder Woman” didn’t match the box-office might of “Batman v. Superman” (a $166 million opening) or “Suicide Squad” ($133.7 million), it was much better received than those roundly derided releases.
“This is a dramatic step in the right direction,” Goldstein said. “We’ve heard fans. We’ve heard critics. These properties are very complicated and beloved. To get it right, it takes a lot of work. I think on this movie, all of us got it right.”
Last week’s top film, “Pirates of the Caribbean: Dead Men Tell No Tales,” slid dramatically to $21.6 million in its second week. It landed in third place, behind Fox’s “Captain Underpants: The First Epic Movie.” The animated release, in which a pair of students make their principal think he’s a superhero by hypnotizing him, opened with $23.5 million.
But “Pirates” still sails well overseas. It’s made $386.6 million internationally, driving the Disney sequel to more than $500 million globally.
The success of “Wonder Woman” gave the summer box office a much-needed charge. Thus far, the season’s only blockbuster has been its first: “Guardians of the Galaxy Vol. 2.” It has made $355.5 million in North America and $816.6 million worldwide.
“Wonder Woman,” though, pushed the week’s box office up 30 percent over the same week last year, according to comScore.
“This saves the day, at least for now, for the summer box office,” said Paul Dergarabedian, senior media analyst for comScore. “Heading into this weekend, the summer movie season was down about 9 percent, and that deficit has been cut by about half in this one weekend.”
Times of Israel staff contributed to this report.